Sunday, April 19, 2009

GREAT SCOTT! HAVE I GONE LOONEY?

I found myself reading about Mr. Raymond Scott. I once owned his 78 rpm waxings (that's what we used to call records) of "The Toy Trumpet" and "In an Eighteenth Century Drawing Room." And there was his weird song that I played on my deejay show, "Yesterday's Ice Cubes." That was sung by Dorothy Collins, Scott's wife. She was a singer and he was the orchestra leader on the famous radio show, "Your Hit Parade." But that was not his strangest title. How about "Dinner Music for a Pack of Hungry Cannibals.". Like guitarist and inventor Les Paul, the Wizard of Waukesha, Raymond Scott was a brilliant musician and equally adept at inventing new ways of making music. He was pretty eccentric, too. Put the brain of a musician and inventor in the same head and the thin line between creativity and nuttiness gets erased.
The Clavivox was one of his many inventions. The one hundredth anniversary of his birth has been observed with a collectible figurine of him with the Clavivox. His Circle machine had some things in common with the innards that spin around in a vintage Hammond. You have heard Raymond's Scott's music if you ever watched a Warner Brothers Merrie Melodies or Looney Tunes Cartoon. What is accidental and fortuitous about that is that he never wrote a note for the cartoons. His cute tunes and experimental jazz just lent itself so well to that medium that Carl Stalling, Warner's music director, bought the rights to Scott's whole catalog of music for his cartoons. Scott's music is still heard on TV, from soap operas and dramas to the most popular contemporary cartoon shows. Enter "Raymond Scott" in google for many hours of smiles from his tricky tunes and quirky titles. Now I must wonder what interesting places tonight's late night/early morning thoughts will take me to. Will Bugs and Elmer, Sylvester and Tweety, Roadrunner and Taz and Porky and all the Cartoon characters be "Dancing over head on the ceiling near my bed?" Raymond Scott didn't write that song. Lionel Ritchie didn't, either. Not the one I love. It's Rodgers and Hart. Lorenz Hart penned possibly the cleverest line in the history of songwriting when he wrote, "I love my ceiling more since it is a dancing floor." Maybe those cartoon friends will be joined up there by my favorite Muppet, the dangerously voluptuous Miss Piggy. Did the Muppets ever use Raymond Scott's music? They should have if they didn't. Best of all possibilities, perhaps the late Miss Bettie Page will be up there on my ceiling, intent upon showing me that I'm not totally over the hill. She can do it if anyone can. Bettie was not a great dancer but it didn't seem to matter. I think I just told myself a lovely, looney bedtime story.

2 comments:

  1. I'm surprised you get much sleep at all, fellow ATD sufferer. What a ride!

    Speaking of which: how about Raymond Scott’s "A Subway far from Ireland"? It was performed by Beatrice Kay and was heard on the Columbia Workshop’s “Radio Play” by William Saroyan (10 August 1939). Scott is in the play as well (the broadcast, not the published script), even though he is impersonated by someone else.

    http://ia311233.us.archive.org/1/items/ColumbiaWorkshop/390810_Radio_Play_Saroyan.mp3

    Thanks for getting me sidetracked. “Pleasant dreams, hmmmm?” No, wait, that was another Raymond.

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  2. Thanks, Harry. I knew you would relate to that one. Now it's your fault if I wake up screaming because you reminded me of Raymond and his squeaky, creaky door.

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